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The Predator is an American science-fictionactionhorror film directed by Shane Black and written by Black and Fred Dekker. It is the fourth installment in the Predator film series, set to take place between Predator 2 (1990) and Predators (2010). Black had a supporting role in the original 1987 Predator film, while Joel Silver, John Davis, and Lawrence Gordon all return as producers from the first two installments.
Title: The Predator
Genre: Action, Adventure, Horror
Release Date:3 August 2018 (USA)
Trailer:Watch
RUNTIME: 1h 47min
Category: Hollywood Torrent Movies
Language: English Movies
Information Source:WIKIPEDIA
IMDB:http://www.imdb.com/title/tt3829266/
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1970‘Il conformista’ Directed by Bernardo Bertolucci
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
El conformista, Der große Irrtum, Der Konformist, Fascisten, De conformist, O Conformista, Le conformiste, 순응자
108 mins More details at
Now this is what a beautiful film looks like. As I have been slightly underwhelmed by some of the early cinema I watched for Film School Dropouts, I got from The Conformist that irresistible, nostalgic magnetic pull that I had been seeking because it was so beautiful I just wanted to jump through the screen. Whether it is the period Italian fashions, the old cars or the chic interiors enhanced by some otherworldly cinematography, the entire film felt like a cool breeze flowing in on a warm day or that perfectly brisk weather that comes immediately before a rain. So refreshing and invigorating.
It’s a socio-political noir by the Italian master Bernardo Bertolucci and follows Dottore, a young employee of…
Too-good-to-be-true first time viewing. The Conformist is a quiet character study like Le Samourai but with the content reversed: Marcello is desperate to be as cool as Jef, and in his desperation he constantly reveals how uncool he actually is. His frantic belief in the big Other belies his lack of belief in himself. Through this psychological drama, the film aligns fascism with a kind of impotence and repressed sexuality. The cinematography is also all-time great status (primarily shot composition and color palette, but also the DP's mysterious ability to shoot as if his massive film camera were a weightless nothing he can manipulate as he pleases). I would have immediately rewatched it if not for a prior engagement to see Rebecca on the big screen; but there's always tomorrow.
Italian Cinema | The Rewatch List
[me watching any movie made before 1999] um
PTAbro's World Tour Stop 5: Italy
This is the story of a coward. In The Conformist, the blame for cowardice is shown not to lie completely with accused, but neither does he come close to being acquitted either. Jean-Louis Trintignant's Clerici, as the titular conformist, only wants to fit into the society he lives in, Mussolini's fascist regime. He wants so badly to belong somewhere, anywhere, that he's willing to kill his stand-in father (an old professor), just to be granted the right to marry a woman he doesn't really love (the adorably flapper-ish Stefania Sandrelli) in order to attain some sense of 'normalcy.'
The state of society (as warped and twisted as it seems today), events in Clerici's past…
Surely a contender for the most beautifully photographed film to grace the screen, Bernado Bertolucci's Il Conformista is truly a wonder to behold. Wrapped in an 'every frame as a picture in a coffee table book that I would happily peruse every day' is a tightly woven tale of political intrigue set against the back-drop of fascist Italy, where Marcello Clerici (Jean-Louis Trintignant) travels to Paris to deal out Mussolini's ideology in the form of an assassination on his former College Professor Luca Quadri (Enzo Tarascio).
The narrative is fragmented with flashbacks, demanding the viewer keep up, whilst drowning the viewer in exquisite cinematography that drops us in a world of trench-coats and fedoras (channeling Melville), porcelain beauties (Dominique Sanda,…
As a collectivist, I am very much for belonging. I am a big fan of community spirit and of togetherness. The distinction between my personal brand of collectivism and fascism, or one of many, is in the difference between conformity and acceptance. I look out on the diversity of the world, and I think how amazing it all is. I want everyone to see their differences, accept them, and appreciate them in others. In fascism, conformity is the rule. They see differences out there, and they want to quash them. They want to dress in uniform, metaphorically and often literally speaking, and destroy that which doesn't fit.
There are collectivists, communists, socialists, who hew closer to conformity than acceptance, in…
An oddly unsatisfying and confusing film that has incredible cinematography and lighting. It's still worth a watch if you don't mind not understanding half of what's going on because, I repeat: incredible cinematography.
visually one of the most breathtaking movies I've ever seen. However, even with the visuals, and the decent acting, the story didn't really compel me all that much. Maybe I wasn't in the right mood. EDIT: I adjusted my rating from a 7 to a 6 because I honestly didn't really enjoy myself while watching this-- could have been the movie, could have been circumstance. I just don't want to lie since the only person that's really hurting is me, since it's my letterboxd. Feels more like a 6/10 to me, even though objectively, it deserves more
Toplumlar fikirlerle kurulurken ideolojiler, toplumsal bağın ve bireylerin birleştirici unsurları olarak toplum üzerinden bireyi belirlerler.Birey kendi gerçekliğine sahip olmak istemesi halinde toplumsal normlar ve ötekileştirmelerle karşılaşır.Birey ve toplum arasındaki bu uyumsuzluk, bireyin aidiyet duygusuna sahip olamamasına ve toplum üzerinden tanımlanan 'normal' kavramına göre şekillenmesine yol açabilir.
Konformist, iktidar üzerinden baskın ideolojilerin bireye yaptırabileceklerine dair söylediklerinin yanında 'normal bireyi' yeniden tanımlamakta ve potansiyellerini ortaya çıkarmaktadır.Birey ve toplum arası ilişki ile normal olan ve tehlikelerine bakarken bireyin bu yatkınlığını geçmiş deneyimlerinde bulmakta.
Bilinçli mekan seçimlerinde bireyi çaresiz kılarken, ışık kullanımı ve doğrusal olmayan kurgusuyla söylemini görsel olarak da desteklemekte.
The way the movie was paced was really good with the psychological trauma being the main focus for the main character made it more than just a thriller about assassination also the scene where clerici visit the fascist building was so beautifully shot
A man who is seduced by what surrounds him- seduced by fascism, seduced by women, seduced by motives of others.
He has no conviction of his own and he demonostftes the dangers of complacency in life.
The playful use of light is astonishing, as are the exaggerations of noir elements and the sweeping camera movements.
Was that it?!
Below my expectations...
Wow I love Storaro’s shots! The movie is a beautiful picture of fascism as a supremacy of a group over an individual, and the forest scene gives me the shivers. It’s a bit chaotic in dialogues so that’s kind of bummer, but still visually worth it.
Una dei film più importanti e incidenti della storia del cinema italiano.
L'autore prende spunto da un romanzo di Moravia (amico storico della famiglia Bertolucci) per realizzare il suo primo film destinato a inviare un messaggio al popolo, destinato per la prima volta anche ad un pubblico straniero.
La sceneggiatura del film si discosta dal romanzo, aggiungendo persino alcuni personaggi che non erano stati pensati da Moravia, mantenendo però il medesimo filo conduttore.
Il Conformista è un'opera che si oppone alla borghesia, che negli anni '30 come oggi, si adatta alle norme massificanti in cerca di accettazione da parte della società.
Uno dei personaggi inventati di sana pianta dall'autore del film è quello dell'amico cieco Italo Montanari; il protagonista si…
not very touching but amazingly beautiful
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